Maui Film Festival - FirstLight: Academy Screenings on Maui

FIRSTLIGHT FILM DESCRIPTIONS

The Loss of a Teardrop Diamond
Friday, December 18 at 7:30pm

Director: Jodie Markell
Cast: Bryce Dallas Howard, Chris Evans, Ellen Burstyn,  Mamie Gummer, Ann-Margret

Widely considered the most important American playwright of the post-WWII, era, Williams wrote the TEARDROP DIAMOND screenplay at the height of his late-1950’s heyday, amid such classic plays, (which themselves were adapted into classic films), as “Cat on a Hot Tin Roof,” “Suddenly, Last Summer,” “Sweet Bird of Youth,” and “Orpheus Descending.” Set in the Roaring Twenties in Williams’ (and Markell’s) home town of Memphis, the film tells the story of Fisher Willow (Howard) a headstrong young heiress who chafes under the constraints of proper Southern society, and who rebels by asking the impoverished but handsome son of her father’s caretaker, Jimmy Dobyne (Evans), to escort her to the major social events of the season. The relationship is purely a business arrangement at the outset, with Fisher paying for Jimmy’s time and attention, but when she discovers that she really loves him, she finds it impossible to re-write the rules and earn the affection she tried to buy. Howard’s ability to evoke the dueling strength and fragility of this quintessential Williams heroine, along with her stunning mastery of his lush, poetic language, firmly establish her as one of the best actresses of her generation, and place her Fisher Willow in a pantheon of performances that includes Vivien Leigh’s Blanche DuBois, Elizabeth Taylor’s Maggie the Cat, Anna Magnani’s Serafina delle Rose, and Geraldine Page’s Alexandra Del Lago.  (PG-13/102 min.) 

Print Courtesy of Paladin.

"A winning period romance based on a long-forgotten Tennessee Williams screenplay is a polished and pleasurable filmmaking debut from director Jodie Markell that, with the marquee value of Bryce Dallas Howard and Chris Evans, boosted by their on-screen sparks, the film’s feel-good romance and lush period setting, has all the trappings of an arthouse success." — Steve Ramos, BoxOffice Magazine



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